In 2013, a 20-year-old Miley Cyrus was trying to shed her Hannah Montana good-girl youth image. Stuff like that can usually take an album or two, a couple promotion campaigns, and some time to sculpt, but not for Miley. Her image was resculpted in a matter of minutes with this viral good-girl-gone-bad performance at the the VMAs alongside the also-controversial Robin Thicke.
The Ray Charles project is called Au Palais des Sports-Live and was recorded in 1961 during his first European tour! The Serge Gainsbourg project, Premiers Tubes-Live, is composed of two live-on-radio sets recorded in 1961 and 1962 and contains an exclusive interview with Juliette Gréco, another French icon from that period. And thirdly, Premières Scènes-Live is a recording of Dalida’s first appearances on stage at the renowned Olympia in 1961 and on the radio show Discoparade in 1962.
We must realize that Ligeti was working in the Hungary, in (almost) total isolation from the rest of the continent, where Schoenberg, Berg, Webern, and later Boulez and Stockhausen were using serial techniques to find a way to detach modern music from the “tyranny” of the Western tonal system. Ligeti approached the same problem from an apparently antithetical standpoint (using one note instead of a fixed series of twelve pitches),
What makes the djembe stand out is a) its uniquely wide range of tones and timbres, and b) its lore. That’s right — djembes are steeped in lore and tradition. Djembe players are even given a special name, called a djembefola, while a solo is called a djembekan. Nobody is quite certain where the name djembe came from,