The form here is seemingly as sparse as the accompaniment, and it’s just about the most “organic” thing I’ve seen so far in this study. After eight bars of verse, he introduces what will be the refrain lines (you really can’t call it a chorus because it’s only two lines over four bars). But then there’s a big stretch of verse at a non-standard,
I split the MIDI wherever I felt an intuitive phrase boundary and arranged my drum loops accordingly. I doubled the synths with softer and more sustained sounds in a few sections as well.
The tritone is a mainstay interval of heavy, dissonant rock riffage. In a most classic example, Black Sabbath’s self-titled song “Black Sabbath” (off the self-titled record,